The Unauthorized Occupation of Patty Hearst
CALL ME TANIA:
+ SCENE LIST + PLOT POINTS
ACT TWO
SONG DEMOS
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Outside the Hearst home the media speculates, public opinion turns sour and the mystery deepens
The Question Remains (Reprise)
2 - 1
Mr. Hearst helplessly revisits a dream where a 4-yr-old Patty is taken away by an apocalyptic storm
Come Back
2 - 2
Mrs. Hearst blames the whole situation on her herself
A Mother's Nature
2 - 3
My Favorite Red Bedspread
In a fantasy flashback, 8-year-old Patty reinterprets her childhood to rationalize her present path
2 - 4
Patty rescues two shoplifting comrades with zombie-like programmed reflexes and a spray of gunfire
There Are Many Ways To Be A Good Girl
2 - 5
When Patty and the SLA carjack a teenager, he’s delighted to be joyriding with his famous captors
Revolutionaries Man
2 - 6
The world watches on live TV as the SLA are burned alive – Patty realizes the FBI wants her dead
No Going Back Now
2 - 7
As If I Never Was At All
After his death, Cinque exposes his humanity as he concedes the regrets of his unfulfilled dreams
2 - 8
The Road
2 - 9
Patty and the surviving SLA members travel onward in a brief interstitial vignette
Mr. and Mrs. Hearst endure a year-long stretch of aching uncertainty as Patty drops off the radar
The Year of Missing You
2 - 10
Monday Morning Through My Eyes
2 - 11
During a bank-robbery, a murder victim rebukes romanticizing outlaws and glamorizing violence
Arrested
2 - 12
The FBI arrest Patty, igniting a media frenzy and giving her parents new hope
Shrink Intake
Five psychiatrists send Patty on a journey of self-reflection – she narrates two intertwined trains of thought
2 - 13
Bailey’s vainglorious rehearsal for the trial reveals his corrupt agenda that outrageously parallels the SLA's
Places Everyone
2 - 14
In the courtroom, Patty's bank robbery defense of “mind control” is mocked by the team of Federal prosecutors…
Trial and Errors
2 - 15
But Then They Made Me
…and rejected by the jury – who echo Patty’s feelings of being unfairly coerced
2 - 16
While escorted to prison, Patty laments that now she has no identity at all – except the false ones put on her
2 - 17
Imaginary Girl
Patty refuses to betray her own innocence with a confession of guilt to reduce her sentence
The Silence of My Innocence
2 - 18
A prelude to an instrumental “11-o’clock number” contemplates the uncertainty of last-minute cliffhangers
The Eleventh Hour
2 - 19
2 - 20
The Hero of Our Own Life Story
Released from prison by President Carter’s order, Patty has a life-changing realization of why
the jury condemned her – a compassionate awakening to the flaws and frailties of human nature
END OF ACT TWO
CURTAIN

CALL ME TANIA: The Unauthorized Occupation of Patty Hearst - book, lyrics & music © 2018 Leonard Dolivio Cetrangolo